nah yeah fr, though part of me wonders what adding a bit of it to another mix could do; it not fully drying out could have some effect on attempts to buff it, plus it stains like fuck and is a nightmare to get off shit; it just sits there
its a nightmare to get off cause it being cured at 150 degrees and getting cured to microscopic fibres n shit, on top of that its pigment based and not dye based so
brother unless you are bringing a flame thrower while bombing it is only interesting. Enamel is already plenty tough
My homie gave me a mop full of automotive body paint and some other ingredients I don't know what consisted of.the tags came out glossy blue. He called it dink after krink and the d is after his first letter of his name.
Yo, I think I'm braindead, I acquired some interior paint from my last job, im trying to find the right consistency to get it workable in a posca marker. The nib doesnt seem to stay juiced. I tried 1:1 water and paint, too watery, I tried 1:5 water and paint, which was a better thickness but the nib doesnt stay juiced. Is this just the nature of the nib?
Follow inks and recipes in this website .so you won't get a funky ol result of turnouts with a posca marker which is already funkier enough and what's weird is that your using water.stay within the ethos of inks and or at least acrilics and knowing the marker which is important also.hopefully this helps.